Researcher Profile - TAKINAMI Yuki

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TAKINAMI Yuki

*Items subject to periodic update by Rikkyo University (The rest are reprinted from information registered on researchmap.)

Affiliation*

College of Contemporary Psychology Department of Body Expression and Cinematic Arts
Graduate School of Contemporary Psychology Master's Program in Body Expression and Cinematic Arts
Graduate School of Contemporary Psychology Doctoral Program in Body Expression and Cinematic Arts

Title*

Professor

Degree

博士（ 3 2012 シカゴ大学）

Research Interests

メディア論

映画理論

映画史

Courses in charge*

Academic Year 2024

Campus Career*

4 2024 - Present

College of Contemporary Psychology Department of Body Expression and Cinematic Arts Professor
4 2024 - Present

Graduate School of Contemporary Psychology Master's Program in Body Expression and Cinematic Arts Professor
4 2024 - Present

Graduate School of Contemporary Psychology Doctoral Program in Body Expression and Cinematic Arts Professor
4 2021 - 3 2024

College of Contemporary Psychology Department of Body Expression and Cinematic Arts Associate Professor
4 2021 - 3 2024

Graduate School of Contemporary Psychology Master's Program in Body Expression and Cinematic Arts Associate Professor
4 2021 - 3 2024

Graduate School of Contemporary Psychology Doctoral Program in Body Expression and Cinematic Arts Associate Professor

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External Link

Profile

I consider the films of Ozu Yasujiro from the silent films to the talkies in aesthetical and social terms both within the local and global contexts. Recapturing film studies more broadly in terms of experience of media, I also analyze some media more close to us, such as television, animation, music video, and internet video.

Papers

小津安二郎作品における認めることの主題ーー『晩春』と『麦秋』の比較

立教映像身体学研究12 25 - 44 3 2025

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Language：Japanese

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認めることへの会話――小津安二郎戦中作品と抑制の美学

立教映像身体学研究11 67 - 88 3 2024

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Language：Japanese

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出発と身構えーーK-POPミュージックヴィデオの情動分析

立教映像身体学研究11 47 - 66 3 2024

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Language：Japanese

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出来事への驚き、新しいメディアの冒険ーーYouTuber動画の分析

立教映像身体学研究10 47 - 64 3 2023

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Language：Japanese

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過去の痕跡の現前化――1970年代NHKドキュメンタリー番組の分析 Peer-reviewed

滝浪佑紀

城西国際大学紀要27 ( 5 ) 17 - 34 3 2019

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Language：Japanese

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TWICEの身振り――デジタルメディア時代におけるミュージックヴィデオ Peer-reviewed

滝浪佑紀

城西国際大学紀要27 ( 5 ) 1 - 16 3 2019

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Language：Japanese

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きらめく世界の唯物論――新海誠作品における風景について Peer-reviewed

滝浪佑紀

城西国際大学紀要26 ( 5 ) 1 - 17 3 2018

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Language：Japanese

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Staircase and Country : An Analysis of Ozu Yasujiro's Hen in the Wind and Late Spring in View of King Vidor's The Wedding Night Peer-reviewed

25 ( 5 ) 1 - 19 3 2017

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Language：Japanese

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Two Imaginary Effects of Electric Moving Images: an Analysis of the Music Videos of Britney Spears and Perfume Peer-reviewed

Yuki Takinami

EPISTEME15 241 - 258 7 2016

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Language：English

This paper examines the music videos of Britney Spears and Perfume, contracting the two kinds of imagination presented by these music videos, the "direct impact" of the former and the "lightness" of the latter. This paper considers the implication of the "lightness" as the imagination in the age of digital technology in contrast with the "direct impact."

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Mise-en-scene Aesthetics in the Films of Ozu Yasujiro : The Works from 1934 to 1936 and the Issues of Talkies Peer-reviewed

24 ( 5 ) 19 - 37 3 2016

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Language：Japanese

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The Moment of Instability : The Textual and Intertextual Analysis of Ozu Yasujiro's Passing Fancy Peer-reviewed

24 ( 5 ) 1 - 18 3 2016

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Language：English

This paper examines Ozu Yasujiro's 1933 film, Passing Fancy (Dekigokoro), in terms of the narrative structure within the film and the intertextual references to Hollywood films in the late 1920s. This paper also considers the issue of Ozu's idiosyncratic shot/reverse shot through the analysis of Passing Fancy.

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テレビにおける野球中継の分析――映画との比較から

滝浪佑紀

東京大学大学院情報学環紀要情報学研究86 23 - 46 3 2014

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Language：Japanese

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不連続性の感覚――小津安二郎の〈視線の一致しない切り返し〉の発生過程

滝浪佑紀

東京大学大学院情報学環紀要情報学研究85 1 - 20 10 2013

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Language：Japanese

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Report of Symposium "Cinema, Architecture, Memory" : Thinking through the Representability of and after the 2011 Tohoku Earthquake and Tsunami

SUWA Nobuhiro, IGARASHI Taro, TAKINAMI Y?ki, TANISHIMA Kanta, NAMBA Anni, MATSUYAMA Hideaki, WATANABE Hiroki

Research survey reports in information studies interfaculty initiative in information studies, the University of Tokyo29 177 - 220 3 2013

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Language：Japanese Publisher：The University of Tokyo

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Other Link： http://www.iii.u-tokyo.ac.jp/wordpress/wp-content/uploads/pdf/29-5.pdf
The Aesthetics of "Mobility" : The Influence of Ernst Lubitsch on Ozu Yasujiro Peer-reviewed

7 ( 7 ) 172 - 190 3 2013

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Language：Japanese

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Rethinking the "Shoshimin films" of Ozu Yasujiro : contemporary criticisms

Takinami Yuki

Journal of information studies83 31 - 50 10 2012

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Language：Japanese Publisher：The University of Tokyo

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Other Link： http://www.iii.u-tokyo.ac.jp/wordpress/wp-content/uploads/pdf/83_3.pdf
The Early Cinema and Its Audience : Introducing The Great Train Robbery (<Workshop> American Cinema, Audience, and Society)

Takinami Yuki

Rikkyo American studies23 107 - 128 3 2001

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Language：Japanese Publisher：Rikkyo University

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Books and Other Publications

牧野守在野の映画学 : 戦時下・戦後映画人との対話

牧野, 守, 近藤, 和都, 森田, のり子, 大塚, 英志（ Role： Contributor , 「改題プロキノから、戦中プロパガンダ映画、東宝争議まで」）

太田出版 1 2021 （ ISBN:9784778317362 ）

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Total pages：349p Language：Japanese

CiNii Books

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小津安二郎サイレント映画の美学

滝浪, 佑紀（ Role： Sole author）

慶應義塾大学出版会 8 2019 （ ISBN:9784766426199 ）

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Total pages：318, 19p Language：Japanese

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『ロードス島戦記』とその時代 : 黎明期角川メディアミックス証言集

安田, 均, 水野, 良, 大塚, 英志, 谷島, 貫太, 滝浪, 佑紀, Steinberg, Marc, 東京大学大学院情報学環・メディア・コンテンツ研究寄付講座（ Role： Joint editor）

角川文化振興財団,KADOKAWA (発売) 3 2018 （ ISBN:9784048764971 ）

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Total pages：242p Language：Japanese

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Reorienting Ozu: A Master and His Influence

Jinhee Choi（ Role： Contributor , 「Modernity, Shoshimin Films and the Proletarian-Film Movement: a Possible Linkage between Ozu and Vertov」）

12 2017

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映画と経験 : クラカウアー、ベンヤミン、アドルノ

Hansen, Miriam, 竹峰, 義和, 滝浪, 佑紀（ Role： Joint translator）

法政大学出版局 8 2017 （ ISBN:9784588010651 ）

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Total pages：vi, 551, 139p Language：Japanese

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TOBIO Critiques #2

大塚, 英志（ Role： Contributor , 「模倣可能性──AKB48「恋するフォーチュンクッキー」のミュージックビデオの分析」）

太田出版 5 2016

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Total pages：冊 Language：Japanese

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映像表現のオルタナティヴ一九六〇年代の逸脱と創造（日本映画史叢書 3）

西嶋憲生（ Role： Contributor , 「増村保造から純映画劇運動へ――『イントレランス』公開」）

森話社 1 5 2005 （ ISBN:4916087534 ）

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Total pages：331 Language：Japanese

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