Updated on 2022/11/25

写真b

 
KUROIWA Mie
 
*Items subject to periodic update by Rikkyo University (The rest are reprinted from information registered on researchmap.)
Affiliation*
College of Intercultural Communication Department of Intercultural Communication
Graduate School of Intercultural Communication Doctoral Program in Intercultural Communication
Graduate School of Intercultural Communication Master's Program in Intercultural Communication
Title*
Professor
Degree
博士(文学) ( 東京大学 )
Research Theme*
  • ゴシックからルネサンスのフランス美術が主たる研究領域である。特に写本彩飾を研究対象として、テクストとイメージの関係を考察している。これまで歴史書、円卓騎士物語、道徳説話集、聖人伝物語などの俗語文学や、聖書、聖務日課書、詩篇集、時禱書などのキリスト教写本に見られるレイアウト、装飾プログラムの様式分析、挿絵の図像分析等を行ってきた。近年は、一般キリスト教徒が愛用した時禱書について、美術的な制作のプロセスを多面的に解明するだけではなく、祈祷文、聖歌、挿絵、護符等が一体化したパフォーマティヴな信仰実践のよすがとして時禱書を捉え直し、典礼空間としての聖堂の建築と装飾を総合的に研究するアプローチとも呼応する総合的な美術・イメージ研究を模索している。

  • Research Interests
  • Western Art History

  • Campus Career*
    • 4 2015 - Present 
      College of Intercultural Communication   Department of Intercultural Communication   Professor
    • 4 2020 - Present 
      Graduate School of Intercultural Communication   Master's Program in Intercultural Communication   Professor
    • 4 2020 - Present 
      Graduate School of Intercultural Communication   Doctoral Program in Intercultural Communication   Professor
    • 4 2008 - 3 2015 
      College of Intercultural Communication   Department of Intercultural Communication   Associate Professor
    • 4 2007 - 3 2008 
      College of Arts   Department of Letters,Course in Philosophy and Creative Writing   Associate Professor
     

    Research Areas

    • Humanities & Social Sciences / Aesthetics and art studies  / Art History

    Research History

    • 4 2020 - Present 
      RIKKYO UNIVERSITY   Graduate School of Intercultural Communication Field of Study: Intercultural Communication   Professor

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    • 4 2020 - Present 
      RIKKYO UNIVERSITY   Graduate School of Intercultural Communication Field of Study: Intercultural Communication   Professor

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    • 4 2015 - Present 
      RIKKYO UNIVERSITY   College of Intercultural Communication Department of Intercultural Communication   Professor

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    • 4 2008 - 3 2015 
      RIKKYO UNIVERSITY   College of Intercultural Communication Department of Intercultural Communication   Associate Professor

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    • 4 2007 - 3 2008 
      RIKKYO UNIVERSITY   College of Arts Department of Letters, Course of Philosophy and Creative Writing   Associate Professor

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    • 10 2002 - 3 2007 
      The University of Tokyo   Graduate School of Humanities and Sociology

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    Education

    • - 3 1999 
      The University of Tokyo   Graduate School, Division of Humanities and Social Sciences

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      Country: Japan

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    • - 3 1991 
      The University of Tokyo   Graduate School, Division of Humanities

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      Country: Japan

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    • - 3 1987 
      Tokyo University of Foreign Studies   Faculty of Foreign Language

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      Country: Japan

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    Papers

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    Misc.

    • 書評『小杉泰・林佳世子編 イスラーム 書物の歴史』(名古屋大学出版会、2014年) Invited

      黒岩三恵

      週刊読書人 ( 3059 ) 4   3 10 2014

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      Language:Japanese   Publishing type:Book review, literature introduction, etc.   Publisher:株式会社 読書人  

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    • Review: Sandrine HÉRICHÉ-PRADEAU, Maud PEREZ-SIMON (éds.) Quand l'image relit le texte. Regards croisés sur les manuscrits médiévaux, Paris:Presses de la Sorbonne-Nouvelle, 2013 Invited

      Mie Kuroiwa

      Medieval European Studies ( 5 ) 178 - 179   25 12 2013

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      Language:Japanese   Publishing type:Book review, literature introduction, etc.   Publisher:Japan Society for Medieval European Studies  

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    Books and Other Publications

    • Jean Pucelle: Innovation and Collaboration in Manuscript Painting

      Mie Kuroiwa( Role: Joint author ,  Working with Jean Pucelle and His Successors: The Case of the Saint Louis Master (Mahiet?))

      Harvey Miller  2013  ( ISBN:9781905375462

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      Language:English Book type:Scholarly book

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    • 北澤洋子監修『西洋美術史』

      黒岩 三恵( Role: Joint author ,  第2章 中世 第1節「初期キリスト教時代」から第5節「ゴシック」まで)

      武蔵野美術大学出版局  4 2006 

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      Language:Japanese Book type:Other

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    • トリニティ・カレッジ蔵本ファクシミリ版 黙示録 MS.R.16.2 解説書

      黒岩 三恵( Role: Joint translator)

      岩波書店  2 2006 

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      Language:Japanese Book type:Other

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    • 全訳 マルコ・ポーロ 東方見聞録 『驚異の書』 Fr.2810 写本

      黒岩 三恵( Role: Joint translator)

      岩波書店  3 2002 

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      Language:Japanese Book type:Other

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    Presentations

    • Biblical Iconography in Prayer Books for Private Devotion and the Role of Image in Late Middle Ages

      Mie Kuroiwa

      New Testament Iconography Studies Annual Conference  23 12 2014  New Testament Iconography Studies

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      Language:Japanese   Presentation type:Oral presentation (general)  

      Venue:Rikkyo Univeristy  

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    • 《聖王ルイの聖書(トレド大聖堂所蔵ビーブル・モラリゼ)》の挿絵に関する考察」:―「エステル記」、「ユディット記」を中心に―

      黒岩三恵

      日本基督教学会 第58回学術大会  17 9 2010  日本基督教学会

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      Language:Japanese   Presentation type:Oral presentation (general)  

      Venue:立教大学  

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    • 「ドミニコ女子修道会における信仰の実践とイメージ:ポワシー、サン・ルイ王立女子修道院における彩飾写本の事例をめぐって」

      黒岩三恵

      日仏美術学会第115回例会  2 7 2010  日仏美術学会

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      Language:Japanese   Presentation type:Oral presentation (general)  

      Venue:日仏会館  

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    • サン・ドニ大修道院《ヴァロワ礼拝堂》とロトンダ形式の聖堂―その起源と王室墓所―

      黒岩三恵

      関西フランス史研究会例会  12 1 2008  関西フランス史研究会

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      Language:Japanese   Presentation type:Oral presentation (general)  

      Venue:京大会館  

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    • 『ビーブル・モラリゼ』における生と死の表象

      黒岩三恵

      第7回新約聖書図像研究会例会  15 12 2007  新約聖書図像研究会NTIS

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      Language:English   Presentation type:Oral presentation (general)  

      Venue:立教大学  

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    • 「14世紀パリの写本彩飾画家 聖王ルイ伝の画家:ピュセル工房との関わりを 中心に」

      黒岩三恵

      日仏美術学会第97回例会  25 2 2005  日仏美術学会

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      Language:Japanese   Presentation type:Oral presentation (general)  

      Venue:日仏会館  

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    • Maître de Vies de Saint Louis and His Workshop, in:Session 172: Jean Pucelle and His Legacy Reconsidered: Collaboration in Manuscript Illumination of Fourteenth-Century France International conference

      Mie KUROIWA

      国際中世研究会議  6 5 2004  The Medieval Institute, Western Michigan University

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      Language:English   Presentation type:Oral presentation (general)  

      Venue:Western Michigan University, Kalamazoo, MI  

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    • Maitre de Vies de Saint Louis and His Workshop, in:Session 172: Jean Pucelle and His Legacy Reconsidered: Collaboration in Manuscript Illumination of Fourteenth-Century France International conference

      Mie KUROIWA

      国際中世研究会議  6 5 2004  The Medieval Institute, Western Michigan University

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      Language:English   Presentation type:Oral presentation (general)  

      Venue:Western Michigan University, Kalamazoo, MI  

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    Professional Memberships

    •  
      Collegium Mediterranistarum

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    •  
      New Testament Iconography Studies

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    •  
      関西フランス史研究会

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      Societe franco-japonaise d'art et d'archeologie

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      The Japan Art History Society

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    Works

    • フランス パリ第四大学 第三課程 考古学美術史研究単位 留学 Other

      10 1992
      -
      1 1999

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      Work type:Other  

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    • フランス パリ第四大学 Maîtrise課程 考古学美術史研究単位 留学 Other

      10 1987
      -
      9 1988

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      Work type:Other  

      サンケイ・スカラシップ 昭和62年度派遣奨学生(第22回生)・フランス留学

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    • フランス パリ第四大学 Maitrise課程 考古学美術史研究単位 留学 Other

      10 1987
      -
      9 1988

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      Work type:Other  

      サンケイ・スカラシップ 昭和62年度派遣奨学生(第22回生)・フランス留学

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    Research Projects

    • Realism, Vision and Spirituality: A Study of the Image in Netherlandish Illuminated Prayer Books of the 15th and 16th Centuries

      Japan Society for the Promotion of Science  Grants-in-Aid for Scientific Research Grant-in-Aid for Scientific Research (C) 

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      4 2019 - 3 2022

      Grant number:19K00200

      Grant amount:\3510000 ( Direct Cost: \2700000 、 Indirect Cost:\810000 )

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    • The Mendicant Order and the Art of the Middle Ages in France: The Role of the Dominicans, c.1300-c.1500

      Japan Society for the Promotion of Science  Grants-in-Aid for Scientific Research Grant-in-Aid for Scientific Research (C) 

      KUROIWA Mie

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      4 2013 - 3 2016

      Grant number:25370139

      Grant amount:\3380000 ( Direct Cost: \2600000 、 Indirect Cost:\780000 )

      The present research focuses principally on a hitherto unexplored aspect of the role played by the Dominican Order in (trans)forming art of the late Middle Ages and early Renaissance through an examination of images and texts venerating Saint Thomas Aquinas found in books of Hours and prayer books produced in France and other parts of Europe.
      The earliest of around 50 manuscripts containing either suffrage to Saint Thomas Aquinas or a prayer to the Lord putatively composed by him was made for a member of the Valois dynasty in Paris and dates back to the late fourteenth century. The growing popularity of the saint to other parts of the West and the iconographical variation seen in the manuscripts made until the early sixteenth century suggest that the popularity of the saint derives from the memory of Thomas Aquinas by the lay people as an eminent theologian who elucidated the mystery of the Eucharist and who composed the liturgy of the Corpus Christi.

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